In his most manic comedies, the great “reactor,” the unflappable Alan Arkin, looks like he’s on the verge of cracking up and blowing the take — scene after scene. He can’t wholly hide how tickled he is at what’s going on around him. It’s in his eyes, the barely-controlled grin that’s trying to bust out on his face.
You see it, here and there, in *The Russians are Coming, The Russians are Coming.” And there’s a moment in “The In-Laws” in which he glances towards the camera in his harrowing ride, clinging to the roof of a taxi he’s just clambered aboard, as if the actor playing the part sees the cameraman laughing at how this looks and wishes he could join him.
Legend has it that Arkin was so broken up by the great character player James Hong‘s improvised chattering Mandarin monologue, adding a magazine to his…
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Utopia, you are standing in it! 
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